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Glastonbury’s Mystical Refuge from the ‘Corporate Monster’

On a vibrant Friday night at Glastonbury, the festival is alive with energy. Lorde surprised fans by debuting her new album, and Franz Ferdinand energized the crowd with “Take Me Out,” joined by former Doctor Who Peter Capaldi. Yet away from the bustling main stages lies a serene sanctuary—the Stone Circle—where many festival-goers seek a magical escape.

Though the stones aren’t as ancient as they appear—Carhenge, for instance, is actually older—the Stone Circle radiates a unique energy. This quiet corner of Worthy Farm draws a diverse group, including Glastonbury veterans who cherish its calm amidst the festival’s chaos.

Terry Fone, a local from Shepton Mallet and attendee since the 1970s, reflects on the festival’s evolution. “You pay £400 to be in a crowd of 200,000 people, and then you end up searching for quiet places because it’s just changed,” he says. After a break in the ’90s, when the festival felt like a “corporate monster,” Terry has come to terms with its transformation. “You either hate it or learn to love it again, and I learned to love it again.” Now, he splits his time between the energetic main stage and the peaceful Stone Circle, escaping the crowds, the “silly bucket hats,” and pricey £7 pints.

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Beth Goodwin, a Glastonbury native and fire monitor at the Stone Circle, underscores the site’s importance. Her role blends practicality—safeguarding the campfire at the circle’s heart—and spirituality, as she facilitates ceremonies. “For me, it’s the focus of the entire festival. Everything else is beautiful or amazing, but I spend most of my time here or in the Green Field,” she shares. On Thursday night alone, Beth spent 12 hours immersed in the community, moved by the stories and rhythms that make this place feel like home.

As the sun sets, festival-goers drift to main acts, but the Stone Circle reawakens late at night, offering an intimate, otherworldly vibe. Music echoes softly, often from someone strumming a guitar nearby. Ruby Saeed, playing guitar and harmonica, generously shares her songs and offers a free CD to those who stop to listen.

This hidden gem requires no wristband or secret pass—just an openness to connect. Strike up a conversation with a musician, and you’ll uncover one of Glastonbury’s smallest, most enchanting performances that lie beyond the spotlight.

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